Alchemy of Transformation

Scarab Beetle Symbolizes New Beginnings

Written by Patricia Awyan Lehman

June 22, 2022

When I walk under the huge sandstone gate at the entrance of the temple of Hathor at Dendera in Egypt (KMT or Khemit) I always remember what was told to me by the renowned indigenous wisdom keeper, Abd’el Hakim Awyan.  It is the only place in Egypt that you will see the underbelly of the winged Kheper or Scarab beetle.  He completely captured my attention when he went on to say that this meant that you were entering a place that held all the answers to the mysteries of the universe.

scarab beetle Egypt

Not only did I discover the gravity of what this meant after more than a decade of researching the symbolism and mythologies embodied within what John Anthony West once called the ‘womb of time’, but that this temple contained a significant prophecy concerning this very moment for humanity on earth.

Time appears to be linear in a physical reality. However, the indigenous worldwide tell us that this is an illusion. We measure it through the observance of the motion of eternally spiraling masses that we label as solar, lunar and stellar cycles. However, time is relative to each individual and their viewpoint based on the magnetic force of the spinning bodies reflected in the conscious perception of the observer.  Time is currency in space.  Space is the game board on which we perceive the flow of time.  And this is exactly how the ancients envisioned their temples. They fashioned them as living, breathing physical structures designed to reflect cycles and patterns of the day, seasons, years and ages as well as the energetic structure of (wo)man and the universe mirrored within.

 

In the Egyptian Book of The Dead (more correctly translated as ‘the Book of Coming Forth by Day’), the scarab beetle symbolizes the heart, transformation and new beginnings. It represents the seed of consciousness migrating through stages and ages of conscious awareness in our perception of time and space.  This eternally cycling pattern of transformation occurs during every day cycle, each annual year, and also in what Plato labelled ‘the Great Year’.

Article continued on The Grand Return

Seshat Defines and Measures Time and Space

by Patricia Awyan Lehman

Seshat from the temple dedicated to Sobek and Horus at Kom Ombo.

The Netert Seshat symbolizes sacred geometry, mathematics and the understanding of the energetic architecture and patterning of the structural form that flows in nature.

She wears the leopard skin that was only worn by priests that reached a significant level of achievement, wisdom, knowledge and power. These were the astrologers and master ‘magicians’ who were able to feel the currents and harness them.  The Rosettes illustrating ‘the spots’ on her leopard skin dress represent stars. Rosettes are often used in ancient symbolism to reflect stars, and are sometimes depicted on the breasts of female statuary and iconography to allude to the nurturing rays of the stars as ‘milk from the cosmic cow or Milky Way.

Rosettes on the bosoms of the statues of Mut and Meryetamun.

Some would like to claim that she wears the leaf of the marijuana plant as her crown…but, I disagree.  It illustrates the ‘flow-ering of form’ within the container of the bow. Sometimes the polarity of the bow itself is imaged with two serpents, their heads meeting at the center peak above her head. The seven petals or rays of light are the seven sacred tones, colors, angles of light–that as aspects of the one source of the breath of life, combine to create our perception of physical form. This bow shoots the metaphoric ‘arrows’ of liquid light that give birth to the perception of a physical reality from above….from the stars of the primordial waters. These vibrating waves form angles and shapes in fractal patterns providing our holographic view of a material world. Everything ‘alive’ flows in these same natural patterns–above and below.

It is why she symbolically officiates at the ‘stretching of the cord’ ceremony known as ‘pedjshes’ to lay the foundation of any new structure, mapping out the solar and/or stellar alignments and powerful sacred geometric designs at specific places on the land that would enable the structure to harness the powerful ‘currents’ above and below. Every stone, angle, shape, and form is refined and perfectly placed to assist in creating an atmosphere of harmonic resonance within the new living, vibrating structure.

In the top image of Seshat, she is holding the tools for the ‘stretching of the cord’ ceremony. She and another figure facing her (probably the king) would have been holding the implements for the stretching of the cord ceremony. The axis of the temple was laid out by stretching a rope between two stakes or ‘poles’. Below is an image of the same from the temple of Horus at Edfu.

All of the symbolism in Egypt has at least 7 levels of interpretation depending on your levels of perceptive awareness. The symbolic meaning of the ‘stretching of the cord’ is profound. A stretched cord, vibrated, will produce a certain frequency and a specific wavelength—as sound. If you change the length of the cord, the tone or frequency and the wavelength will change.

From John Anthony West when speaking about the work of Pythagorus (who was a student of the priests in ancient Khemit):

“Consider a string of a given length as unity. Set it vibrating; it produces a sound. Stop the string at its midpoint and set it vibrating. It produces a sound one octave higher. Division in two results in an analogue of the original unity. [ . . .]  Between the original note and its octave there are seven intervals, seven unequal stages which, despite their inequality, the ear interprets as ‘harmonious.’

 Seshat offers us the scale—and tools for the measurement for our perception of time and space itself. This is profound!

Dr. Ibrahim Karim, who developed the field of BioGeometry tells us that:

“We then have here seven abstract extrasensory qualities that manifest themselves in any sense scale and enable us to translate any colour into musical notes, smell fragrance, touch, taste or shape quality.”

These are the qualitative scales for our sensation of everything in our reality!

Knowledge of them offers us the tools for the creation of ‘portals’ between ‘heaven’ and ‘earth’ that can be transcended. And this was a function of the temple structures.

Seshat as the Scribe and a close up of her palette of ink wells.

In the second picture above you see her inkwell, known as the scribe’s inkwell. Notice that the fine detail on these inkwells shows Shen symbols that represent the infinite nature of her function. She is a ‘time keeper’, astronomer and astrologer in a physical reality that consists of vibrating waveform. We measure time from our observance of the patterns of the cycling sun, moon and stars.

Time and space can only be measured when we are pulsing with electro-magnetic life-force….which is the heartbeat of all that breaths in a physical universe. Tic Tock.
Abd’el Hakim Awyan often taught we were all called ‘Sesh’ in very ancient Khemit.  All were considered equal and living in peace and harmony, before the descent of conscious awareness.  In my opinion, we all once felt the currents, and were able to harness them to harvest life enhancing food and to create harmonic resonance within and without our structures with the utilization of implosive technologies that were in in sync with the natural currents, the forces of nature– the Neteru in our universal environment.  We were all once in alignment with the expression of Seshat.

Neith, as the Queen Bee, Weaves the Fabric of our Reality

by Patricia Awyan Lehman

It is no accident that bees are significant symbols of wisdom, fertility and the sacred feminine. The geometric design of their honey combs reflects the fabric of the universe as the dress or ‘veil’ of the ancient Egyptian Netert, Neith. Also spelled out as Nit, Net, or Neit, she is the first and the prime creator of the universe and great mother of the sun.  Emerging from pre-dynastic times, her temple in the Nile Delta at Sais was called ‘The House of the Bee‘ and it was said that she wove the world into being on her loom. All vibrating patterns of life and breath are fractally connected to the finely woven fabric of her womb.

Although the meaning of her mysterious crown has been long debated, this symbol, which is also found on the chest of the ancient Egyptian cobras, can be seen quite clearly, in my opinion, as the dual opposing wave forms that form a torus field.

The Torus field forms due to the duality within the cosmic egg. All of what we perceive as creation exists because of the first torus.  The thunder caused by the friction of the two innate polarities uniting within the egg is the original sound that created the spark of life.   The body of the cobra above, in the middle image, would have been zig-zagging across the top of the head of the diadem’s wearer, to and from the left and right sides of the brain.  That spark, as the first breath is personified as the Neter, Hu, who also represents the illusion of linear time, and therefore space as the yin yang motion of the cosmic serpent as a sine wave.  Hu was the personification of Divine Utterance or sound as the ‘word of God’.

All is waveform.  This watery wave form is the illusory backdrop for our perception of reality which is known in India as ‘Maya’.  In Egypt today, we still use this ancient word for water or Maya, when we ask for a glass or bottle of water.  The Hieroglyph for water is waveform and it represents the phonetic consonant ‘N’, which is used to begin our title for Neith.

Time is not an eternal constant but a flexible principle that causes separation.  Creation is ultimately motion and therefore, separation from Source as a breath of light.  The innate duality of all lifeforms is typified by this inherent zig-zag motion that creates a pattern of highs and lows, positives and negatives moving in opposite directions that we often describe as the roller coaster of life.  We live in a world of opposition. We recognize the division between feminine and masculine, light and dark, positive and negative, polarity and so on. In order to procreate, the female and male must come together as one and exchange energy and it is from this union that a process of separation is performed which results in the birth of offspring.  Time keeps us on a journey of separation that ultimately distances us from our moment and place of birth– our Source.

The light of day is clearly separated from the darkness of night in any given moment, as illustrated by the sun wave path around the sphere of the earth, marking the journey of the Sun as the Neter, Ra- which can be viewed on the detail from the inner coffin of Nespawershefyt below on the right.

This pattern exists as the foundation for all that is considered alive. All is dual and all moves in nonlinear patterns.  We perceive our physical reality as reflections of these patterns of light.

 “You’re a refraction of the one light. You’re a waveform of light. You’re a fractal, a pattern that continuously changes.”    — Frederick Lenz

What is a Torus Field?

The toroidal field is a donut-shaped energy field which illustrates how energy moves in its most balanced dynamic process. Each atom, and everything on earth is surrounded by its own energy field known as the Torus. It is a self-sustaining balanced dynamic energy flow process consisting of a single axis and two vortices. Energy passes through one vortex, along the center of the axis, out the other vortex, wraps back around the circumference and renews by passing through the original vortex. The Earth’s Torus is run through the center of the planet and creates our atmosphere.

This creative force of nature can be used to describe tornadoes, whirlpools, black holes and magnetic fields, as well as the energy fields around planets, stars and the sun. It is also found to exist around every living organism on earth, including human beings. Many believe today that our consciousness actually lies within the patterning of this energy flow that surrounds us.  And when we can raise our levels of awareness, we can actually begin to tap into the ageless wisdom within the fields of consciousness that embrace our earth, the sun– and universe.

Scientists struggle with the probability that consciousness is tied into the rhythm of the fabric of the Universe, however, human beings could be transformed by this knowledge. To understand this, as the ancients did, is to recognize that when we perceive the patterns and cycles of vibrating wave forms and how they breathe out into fractal versions of the same patterns, it enables us to learn how to navigate and even harness the currents in order to achieve harmonic resonance in any given moment.

The ancients us left an esoteric guide within their mythology, symbolism and iconography, as well as the formulas derived from the deep understanding of what their sacred rituals actually represented. (I would suggest researching the work of Dr. Ibrahim Karim, Egyptian architect and founder of BioGeometry, the science of utilizing the energetic and qualitative principles of shape, color, angle and flow to balance biological energy systems and harmonize their interactions with the environment.)

A Cosmic Egg that cracks open and gives birth to universal flow, is the foundation of creation myths cross culturally. An apt way to describe the spark of life may be to compare it to a lightning strike accompanying the sound of thunder that cracks open the shell of the seed that contains the unlimited potentials of conscious awareness. It is why we see so many storm gods as fertility gods in ancient mythologies worldwide.

The Hindu Rigveda, written in India around the 15th – 12th Century B.C., describes a cyclical or oscillating universe in which a Cosmic Egg, or Brahmanda, containing the whole universe expands out of a single concentrated point which they call the Bindu.

As the Fabric of Reality of this oscillating universe, Neith is responsible for our first perception of form as Matter.  She holds the seeds of form within her garment, or ‘veil of forgetfulness’ that exists in all of the electromagnetic fields that surround all lifeforms in spinning motion.  Perhaps these spinning bodies must be stilled in order for her veil to drop and truths to be revealed.

Walter Russell (1871–1963), an American genius, artist, sculptor, architect, and a controversial figure in physics and cosmogony, stated that in the wave lies the secret of creation:

“That which man calls matter, or substance, has no existence whatsoever. So-called matter is but waves of the motion of light, electrically divided into opposed pairs, then electrically conditioned and patterned into what we call various substances of matter. Briefly put, matter is but the motion of light, and motion is not substance. It only appears to be. Take motion away and there would not be even the appearance of substance.”    — Walter Russell

It is all an Illusion

Later determined to be a goddess of war and of hunting, Neith’s symbol consisted of two crossed arrows over what some have called a shield.  Arrows have been known to be ancient symbols of rays or bursts of light emerging from stars or suns. It is from these arrows of light, that incredible sacred geometric patterns are formed throughout the heavens that give birth to our conscious awareness. They form the arena for our perception of reality and the very fabric of the cosmos as the Neter, Hu, who as sacred sound, personifies the universal language of light.

The crossing of Neith’s ‘arrows’ has a hugely profound significance. The crossing of any two lines creates a portal between two opposing fields of energy. And yes, it is from this point at the center, that a central axis for the formation of the toroidal field can emerge.

Schwaller de Lubicz introduced a concept that he called ‘the principle of the crossing’,  relating to the crossing of two lines.  According to Robert Lawlor in the Translator’s Foreward in Schwaller’s ‘Temple in Man’:  

“This crossing was not a sterile, mental, numerical manipulation but a symbol for the process by which things enter into corporeal existence. All birth into nature required a crossing of opposites. It can be a crossing of vertical and horizontal lines which give birth to the square, the first measurable surface; or male and female giving birth to a new individual; or warp and weft creating a fabric; or light and darkness giving birth to tangible forms; or matter and spirit giving birth to life itself.”

The Sema Tawy is also very ancient symbol of the ‘Great Yogic Breath of Life’—with the earliest versions containing no images of Neteru. It is usually translated as “Uniter of the Two Lands”. The symbolic depiction illustrates a windpipe or trachea which form the axis from which the Torus Field develops from the lungs. The papyrus and lotus plants represent the duality of breath of the ‘bronchial tree’ within the respiratory system. This is crowned by the vocal cords or voice box from which, Sound as the Neter, Hu emanates. The trachea stood for unification, while the papyrus and lily plants were said to represent the duality of Lower and Upper Egypt.

The dual energies symbolized by the papyrus and lotus embody masculine and feminine principles as well as the implied intake and outtake of breath or pulsing sound or tone (frequency) to and from the lungs.

The shape of the “T” or TA/Tau–is a cross cultural symbol that can be related to the constellation of Taurus (Tau–rus) and the Pleiades —as Taurus is known in the field of astrology,  to rule the throat, voice and resonance. This spinning polarized ‘Breath of Life’  is reflected in the Torus fields that pulse outward from our individual Chakras (Chak-RAs) or inner suns, as well as the earth’s and sun’s magnetic fields.We also see this mirrored in Photosynthesis as a process used by plants and other organisms to convert light energy into chemical energy that can later be released to fuel the organisms’ activities. And this leads to the essential Oxygen-Carbon Dioxide Cycle of life on Earth. During photosynthesis, plants give off oxygen as a waste product. All animals, including humans, require oxygen to survive. Animals breathe in the oxygen made by plants and breathe out carbon dioxide as a waste product. Plants need the carbon dioxide from animals to live and animals must have the oxygen from plants to survive. All of this is powered by the light of the sun.Animals and plants rely on each other for survival on Earth, and yet—without the Sun none of them would survive. The ancients were not ‘worshiping the sun’ as a ‘god’ as we understand it. They were recognizing the sun as the vital force of nature that ignites and sustains the eternal cycles of life on earth.
We can choose to breathe into and out of harmony. When masculine and feminine forces marry or bond, we see the esoteric union that gives birth to a new rising sun, son, or cycle. When these same forces of nature repel, there is a ‘fall’ into separation consciousness. When we breath in resonance with each other and our natural environment, we can rise to higher states of awareness as we move into a more unified consciousness. However, if we destroy the vehicle that sustains the breath, we cease to function at all.
Neith is our Queen Bee
Proclus (412–485 AD), a Greek Neoplatonist philosopher, wrote that the adyton or innermost sanctum of the temple of Neith, her cult center in Sais (modern Sa el-Hagar), (of which nothing now remains), carried the following inscription:

“I am the things that are, that will be, and that have been. No one has ever laid open the garment by which I am concealed. The fruit which I brought forth was the sun.”

On her dress in the last image below, you can see the bee hive pattern that is the basic foundation of the Flower of Life- which, when animated, is a rhythmic, vibrating electromagnetic Torus Field.

Honey bees orient to the earth’s magnetic field. They contain a region of ferromagnetic crystals of magnetite located in the front of their abdomens that enable them to detect magnetic fields, to regulate their internal clocks and to guide them as they build combs within the hive.  It has been suggested that the Queen Bee harnesses the magnetic field to promote a harmonic and unified communal effort to create and maintain her domain and its inhabitants in a state of Ma’at. Neith is the Queen of the Heavens who provides a safe haven for seeds of consciousness to be birthed into the rhythmic dance of life.

“Her name also may be interpreted as meaning water.  In time, this meaning led to her being considered as the personification of the primordial waters of creation. She is identified as a great mother goddess in this role as a creator.”   Plutarch (46 – 120 A.D.)

She is the creative force of all that exists as active life forms. Neith is the gateway between the worlds of materiality and nonmateriality and like Wepwawet, was often referred to as the ‘Opener of the Ways’ in predynastic and early dynastic times.

Like other Neteru, she was first known to be an androgynous, or genderless force of nature, which is indicative of all beings in the first moments of creation, before the separation event, later symbolized by the twins of Gemini, or of the Neteru, Shu (Air) and Tefnut (moisture/Water), as the atmosphere that separates the Heavens, Nut (Fire), from the Earth, as Geb.

She was associated with the waters of Nun that preceded creation and like Hathor, she is the alpha and omega. The alpha or seed of potentiality is the great central source of light at our center, and the eternally breathing fields of energy that project from it is the womb, the omega.  The omega is the garment from which time emerges.  Infinity and timelessness ARE the womb out of which a linear, chronological unfolding emerges. The omega embodies complete Gnosis, the unified field, and/or zero point, which express as infinite potentiality.

And just as she weaves the foundational universal vibration into existence, she experiences each intake and outtake of breath of all lifeforms within the fabric of her womb.  All is connected. All is eternally expanding and contracting as a great yogic breath.  On a quantum level, time runs in both directions and pauses for a moment before it reverses.

In later dynastic times, the wings of Isis and her sister, Nebhet, also known by the Greek name of Nephtys, symbolically form the electromagnetic torus fields that protect and breath out from all vibrating life-forms on. Their wings form the beautiful veil around the body of Osiris, who represents our earth and the human beings who inhabit it.   We believe that the earth’s magnetic field protects us from the brutal galactic rays and without its protection, the earth would be destroyed.   However, maybe it’s only the illusion of form that dies when it collapses,  allowing for the ‘enlightenment’ from these rays to offer us the prophesied great awakening?   We would remember that we are not our bodies.  We are so much more.

In the middle image above, the sketch of a bas-relief at Philae shows Isis and Nebhet embracing Osiris with their wings.  Can you imagine them standing with their electromagnetic ‘wings’ surrounding the earth?  They provide protection from the radiation of the galactic rays bombarding the earth from the cosmos, while being the womb that is the veil of forgetfulness that our consciousness awareness is seeded from that ultimately blocks out the enlightenment of these powerful rays. The twin sisters are mirror images of each other. On another level of understanding, Isis represents the part of our reality that is visible, while Nebhet represents the unseen forces of nature. Two dual opposing feminine principles creating a spinning veil that encompasses and yet contains the earth’s conscious awareness.

As two forces within the whole of what Neith represents, Isis and Nebhet respectively form the outtake and intake of breath, as the expanding and contracting universal vibration.

Osiris is wrapped in his own wings which is later illustrated as mummy wrappings to demonstrate that we are each individually wrapped in electromagnetic cocoons that emanate from our heart center.  Osiris is the Earth, the original green man, and it is the nurturing electromagnetic currents that cause the seeds of consciousness to sprout and break forth from his body to provide the greening of his ‘skin’.

We can only emerge from the veiled containment when we harness our inner polarity and find complete stillness.  It is only then, that the oscillating wings of Isis and Nebhet will completely fall and we can rise to earn new wings as symbolized by Horus, who represents the ascended and transformed Osiris.

After his jealous brother, Set murders Osiris, he eventually chops his body into 14 or 42 pieces in different variations of the myth, representing either the 14 stages of the waxing and then waning moon, representing separation and transformation into and out of wholeness.  The  ’42’ pieces of Osiris represent the 42 original nomes or divisions of ancient Khemit.  Osiris was the land of Khemit, and the original 42 tribes that once inhabited a unified land.   This is where the original story from which the Tower of Babel originated and metaphorically marks mankind’s decline into separation consciousness, indicative of an earthly night cycle.  His body parts are scattered throughout Khemit, each in a separate nome where they remain until Isis weeps for the loss of her beloved and the flooding Nile of her tears connects the once dry and parched land.  This initiates the Resurrection process of Osiris.

The Reversal

However, he must also experience a reversal of charge and direction in order to begin his metamorphosis.   Osiris must turn over on his stomach before he can rise from the dead, his symbolic state during the night cycle.

In the above images Osiris turns over on his belly and the wings of Isis (as the earth’s magnetic field) are lowered while Osiris is presented with the gift of renewed life before he can enter his next cycle and renewed perception of reality.

When he has risen into his awakened state, you can see in the bottom sketch below of scenes from the temple of Hathor at Dendera, that he is kneeling on a sled.  This symbolically illustrates that he is still and existing in a moment of complete inaction- his zero point of enlightenment.  He can only move now if he is pulled on his sled by an outside force.

In the top sketch, you see Isis as the Kite bird, along with her sister, Nebhet flapping their wings to provide the electromagnetic breath of life– to his lifeless newly formed Phallus.  Isis magically copulates with him, which results in the birth of the new Sun/son, Horus, who embodies the now transformed Osiris.  She is called the ‘Lady of Enchantments’ for her ability to revive her dead husband.

Resurrection as the Gift of a New Cycle of Conscious Awareness

All complex electric systems within the human body have their own magnetic field systems.  If we return to the cobra, representing Wadjet, the feminine protector of Lower Egypt, and the vulture as Nebhet, her female counterpart in Upper Egypt as the Uraeus represented on the diadem of Tutankhamun below. One can see the visible waveform of the cobra’s body runs back and forth to unite the two sides of the separate hemispheres of the brain of the head on which it would have been worn.  It could only adorn the head of royalty as a symbol of sovereignty, deity and divine authority –as the right to rule.

“According to Ipsalu Tantric Kriya Yoga a technique called the Cobra Breath pulls magnetic energy into the spine, ionizing the spinal fluid and allowing the kundalini to rise, bathing the brain in magnetized fluid and transforming consciousness.”  ‘Biology of Kundalini’ by Jana Dixon

It signified the game changing moment when inner polarity is transmuted and the kundalini rises to explode through the third eye as a perfect illustration of unity consciousness. Kundalini rises to allow for the expansion of conscious awareness, and with the increased communication between the brain’s hemispheres, the knot of the Sema Tawy is tightened, and our breath is held for moment for the experience of complete timelessness, stillness and a sense of oneness with all that is.  It is an entry into that zero point expression for a brief and magical moment of complete Gnosis that is enjoyed briefly– before the serpent and vulture recoil to explode again through the top of the head as the unified spark of life that initiates the next cycle and renewed breath of life.

This pathway to alternative dimensions is known to many as the opened third eye, or Eye of Horus, achieved with the unification of the right and left eyes of Horus which represent the sun and the moon. The eye is personified by the Netert, Wadjet and is also known as ‘The Eye of Ra’.  The name Wadjet is derived from wadj meaning green, and was known to the Greeks as Uraeus, derived from the Egyptian iaret meaning ‘risen one’ illustrated by the image of the cobra rising up.

When the veil of Neith is lifted, the Eye of Horus can visualize and experience the splendor of universal oneness that is often described by those who have had worked with plant medicines and/or have had near death or astral experiences.  It is a moment of complete unity with Source. Awakening from this experience will ultimately transform the participant forever.  Those that earn the sharp eye of the hawk, also gain its incredible powers of vision and the ability to feel, and therefore navigate the currents to create an environment of resonant and harmonic balance, much like the worker bees who can feel their Queen’s breath of love and light waves.

This is what the priests and their initiates strived so hard to achieve and this secret knowledge was embodied within the mysterious rituals of Osiris that were enacted by the priests and ancient kings of Khemit. They were the true Shemsu Hor, known as the Followers of Horus, that were able to navigate between the material and nonphysical worlds. The predynastic and early dynastic kings and Pharoahs would perform these rituals at specific moments in their reigns to reflect a new cycle of ruler-ship. These were called Heb Sed festivals and required the participant to traverse the dimensions between the material and nonmaterial realms. They needed to experience the death of the physical in order to achieve eternal divinity and become one with the forces of nature as a Neter themselves.  These rituals were illustrated at temple sites throughout Egypt, and practiced at many sites, such as Abydos, Saqqara and Hawara.

I would suggest that many of the ancient so-called tombs, including pyramids and possibly the Osiris Shaft on the Giza Plateau, would have been used as ascension devices by the living kings for these rituals.

When they achieved the unification of the dual opposing currents symbolized by ‘Upper and Lower Egypt’ within themselves, they earned the ‘right to rule’ by bringing the power of the Neteru (as the forces of nature) back down to earth.  The kings could then be crowned on their thrones as ‘Gods’ or as ‘Horus kings’ with the double crown of both Upper and Lower Egypt, as divine beings in their own right.

Neith was also associated with spiders relating to her function as a spinner and weaver of destiny. In this aspect she can be equated with the Babylonian Ishtar and the Greek goddess, Arachne, known later, by the Romans as Minerva.  The Hopi and Navajo, portrayed the Spider Grandmother in this role as a creative force of nature.  In the Hopi creation myth, Spider Grandmother as KokyAngwuti, imagines the world into existence through the conscious weaving of her webs.

“Humankind has not woven the web of life. We are but one thread within it. Whatever we do to the web, we do to ourselves. All things are bound together. All things connect.”  ~ Chief Seattle, 1854

Secret Knowledge Lost can be Reclaimed

Neith weaves the ultimate fractal and holographic pattern of all life as an incredible exhalation and inhalation of a breath of divine light.   It can’t be any other way.  Time is the illusion.  How we experience it is always of our own choosing.  The cycles will play themselves out despite those choices.  Learn how to navigate the currents of her threads and you can achieve harmonic and resonant bliss in any given moment.

 

 

Marking Time and Space at Göbekli Tepe

by Patricia Awyan Lehman

Photo by author

Göbekli Tepe, a massive site that consists of a series of mostly circular and oval-shaped structures that sit on the top of a hill, said to be 12,000 years old or more, is set in the Southeastern Anatolia Region of Turkey about 7 miles northeast of the city of Şanlıurfa.

It was very exciting for me to have finally had the opportunity to visit Turkey and especially Göbekli Tepe in mid September, 2019.  Pictures do not do it justice and it  was truly incredible to experience the stone circles there in person. They have been identified by most as temples and I am confident that the site once served as a university for mapping and learning about new seasons and natural cycles after the cataclysmic events that occurred around 12,500 years ago.

I had a strong feeling that the T-stones were standing there alone, long before the stone walls were constructed to surround them, as ancient stone circles marking time and space.

There is much evidence of farming surrounding these sites, as well as the celebration of seasonal feasts and many who have been involved in excavations at the site speak about ritual practices being performed there.  ‘Seasonal feasts’ can refer to the celebration of harvests and planting times—or a recognition of ‘life changing’ moments manifested by solar, lunar and stellar movements.  The Farmer’s Almanac (pub. in the USA) maps out the best times to plant seeds, nurture and harvest to insure optimal benefits from agricultural practices according to celestial events, and yet many of these events also affect us in our daily lives as well as our natural environment.

Photo by author

When I was in Australia almost 5 years ago, I met a woman who had been given a wealth of indigenous knowing from local tribal elders.  She became an authority on tracing the ‘starlore’ of many tribes of the Original Peoples there.  We went hiking around different sites near Mt Warning, an ancient volcano that sits near the first place on mainland to receive the sun’s rays each day, and one of Australia’s most sacred and spiritually significant sites. She showed me a plant at the nearby Byron Bay, whose flowers only bloom when there is a particular alignment of Venus with the Sun.  This is also the same moment that they know they must avoid swimming in the bay, because the sharks become agitated and will attack. The more she showed me about the these environmental and celestial relationships, the more I could truly understand just how much knowledge has been lost. We have forgotten our connection with all things in our natural environment.

We can see in the image above that there are 12 T-pillars surrounding 2 huge central T-pillars in Stone Circle D, considered the most ancient of the circles at Göbekli Tepe. The ancients often equated circles with cycles.  Are the outer pillars representing the 12  months of the year or the ages of the precession of the equinoxes?  Maybe they were mapping cycles and the cycles within cycles? What is the significance of the opening within the circle where the two middle stones are facing?

I can see many interesting comparisons in the symbolism here with that of ancient Egypt, and other places in the ancient world.

Aanen, an astronomer priest, “one who knows the procession of the sky”, was the brother of the powerful Queen Tiye, wife of Amenhotep III.

In ancient Egypt, the highest priests were astrologers and astronomers who mapped out the movement of the stars to track transforming ages and stages of consciousness, and more.  As above, so below.  They knew there was an interaction and relationship of the movement of the stars with their everyday lives.  Most significant to them were the circumpolar stars, known as the ‘never setting stars’ –and it appears to me that the builders at Göbekli Tepe were aligning their structures to similar stars and constellations as well as other celestial icons, such as Orion.

Picture taken by author at the Sanliurfa Museum

I learned about the Soul Holes at Göbekli Tepe from viewing videos featuring Andrew Collins (who has been researching and writing about the site for many years). He wrote the book: Gobekli Tepe: Genesis of the Gods: The Temple of the Watchers and the Discovery of Eden.  The soul hole in Circle D sat at the opposite end of the circle from the opening in the circle. Klaus Schmidt, who led the excavations at Göbekli Tepe from 1996 to 2014, first spoke of these circular holes cut into the rocks as being seelenloch, a word from his native German language that translates to “soul hole”.  He compared them to other dolmen and structures (in other parts of the world) that contained these holes believed to have been used ritually as exit points for the soul to leave it’s physical environment and enter alternative worlds while in altered states of consciousness.In ancient Egypt, an ‘opening of the mouth’ tool was used to symbolically reanimate the body of the deceased (and often still alive bodies).  The adze shaped tool was touched to the area of the lips and eyes in what is termed “the opening of the mouth” ceremony. Some say they were opening the mouth or ‘hole’ to let wisdom and knowledge enter the lifeless physical form.  The tool is shaped like the Big Dipper (Ursa Major) and is a metaphor, in my opinion, for the opening and closing of the imaginary circle/cycle of precession in our northern hemisphere–allowing for our conscious perception of life to evolve and devolve over and over again within a great eternal breath of life.  This is also known as the Hero’s Journey into and out of day and night cycles (awakened states of consciousness and ages when we are ‘asleep’ or considered to be metaphorically dead) as a pattern of fractal cycles within cycles.The Ancient Egyptians kept close tabs on the Big Dipper, monitoring changes in the constellation’s orientation over time.  They likened it to an adze or finger, the foreleg of a bull or the foreleg with a bull’s head, and sometimes as a complete bull.  When you trace its anti-clockwise movement in the sky along with the pole star at the center, you see a spinning ‘swastika’. We see swastikas in symbolic designs everywhere throughout the ancient world and they are pointing out the significance of this ‘spin’ as a crucial force of nature.

The ancient Egyptian priests also used this opening of the mouth tool to symbolically open the ‘gate’ of temples (physical structures created in part to mark time and space as a symbolic mirror of the heavens and/or the human body), in order to reanimate this vibrating, spiraling energy within.  Maybe they performed this ritual just before the annual floods surged up the Nile, ‘reanimating’ the temples and other structures with the additional flow of water within the subterranean channels underneath them? The high pressure of the water flowing underground causes the release of ions, which are then sent upward. These water veins can be highly energizing— and even brief exposure can have a strong effect on the physical body, as well as other organic materials such as seeds or plants.

Did the soul holes in the circles of Göbekli Tepe relate to a similar ritual practice?  Were the ancients practicing rituals in both cases to metaphorically escape their own containment in form?

The ancient Egyptians looked at the eternal cycles of the Sun as a metaphor for these ages and cycles of life on Earth. However, the circumpolar stars never set below the horizon and so they viewed them as ‘eternal’ and infinite beings of light. It was their greatest hope that they could one day shine among the never-setting stars they called the Ikhemu-sek, a powerful symbol of immortality.

There are many varying translations of the Pyramid Texts from ancient Egypt.  It is my opinion that they are esoteric writings that speak to an ability to move between physical and nonphysical perceptions of reality. Did the ancients have tools for traversing the spaces between heaven and earth?  Were the soul holes at Göbekli Tepe, and other sites worldwide, used as an escape route for an astral journey to the heavens?

Many people today have shared stories of near death experiences, astral travels and/or visionary journeys after using plant medicines.  They often speak about having a surreal experience of ‘divine connection with all that is‘.  The experience is so blissful that they often don’t want to return to their 3-D physical lives again. Were the ancients able to navigate to this place in the heavens and connect with this higher power?

Ancient writings and iconography in Egypt speak of rituals that the kings would undertake, such as the Heb Sed festivals, marking a rejuvenation of their reign. After undergoing various secret rituals, (which I believe included a metaphysical journey to the stars), running with the Apis Bull, and a celebration of the unification of Upper and Lower Egypt (on one level, and a metaphor for heaven and earth or the two hemispheres of the brain on another), they would be crowned, while sitting on a throne– as the ‘Horus King’. The king had metaphorically brought the power of the heavens….down to earth.  They were to be revered as a god – on earth. This has a direct relationship to a current prevalent perception that God sits on a throne.

Old Kingdom ruler, Khafre in the Egyptian Museum

Many believe that Göbekli Tepe was focused on Orion and the southern horizon. Horus was known to be the ascended Osiris, his father. Orion, represented by Osiris in Egypt,  is one of the most brilliant constellations in the heavens and is visible from every inhabited part of the Earth.  Three bright stars decorate Orion’s belt, which points northward to the Hyades and Pleiades star clusters of Taurus, and southward to the Dog Star Sirius.

The ‘God’ Osiris (as Sah) waves good-bye to balance and stability before he descends into physical form in the Age of Cancer.

The rise and fall of Orion has been used as a cross cultural celestial metaphor for the changing seasons of our annual year.  This constellation has been depicted symbolically worldwide in the form of a man with a unique belt (representing the belt stars), as a hunter or warrior. In Egypt, it is Osiris, as Orion, who embarks on the Hero’s Journey as a descent into the darkness of the material world and find his way (along the path of precession) to the light of day and ascend  as he earns his wings again as the Hawk Neter, Horus (the Greek name for the Egyptian Neter, Heru) —our Hero

The ancients worldwide were fascinated by the place within the circumpolar stars where the axis, or spine of the earth is pointed towards—which often sits on a star known as the ‘pole’ star. It has been said that many ancient cultures revered the Pole Star as their God, most likely because it’s located close to the north celestial pole, the point around which the entire northern sky turns. The Armenian name for Göbekli Tepe was Portasar which is said to mean ‘Navel’, an apt name for a site that is meant to mirror this special spot in the heavens. This magical place marks the place (and state of awareness) we are at on our path of the Hero’s Journey around the circumpolar stars. Maybe the symbolism on and within the layout of the stone circles was citing something incredibly profound and significant about how we perceive reality itself?

We also visited the site of the Monastery of St. Simeon in the Province of Hatay (Antakya) in Turkey, that rises a hill that once was known as the Hill of Wonders.  Simon Stylites the Younger lived on this hill, and more precisely, on a high pillar erected on its slope, in the 6th century AD.  Simon sat (and meditated) on a ‘pole’ –or pillar that represented the complete balanced place of non-movement—at the polestar.  This one point remains constant despite the spinning movement of the earth. It is the only bright star whose position relative to a rotating Earth does not change. All other stars appear to move opposite to the Earth’s rotation beneath them.“He started the penitent life of a stylite – a person living on a pillar – at the age of twenty. He moved from one place to other several times, until he settled on a pole on top of a hill, which was later proclaimed the Hill of Wonders in his honor. Hagiographic sources relate that Simeon, while sitting on a pillar, talked with Jesus and angels. Additionally, he supposedly had the power to control the forces of nature and demons.” – Turkish Archaeological News

It is the axis that connects Heaven and Earth. Martin Lings equates the alif with the erect human body when he says that “the body stands for the Axis of the Universe which is none other than the Tree of Life.” (What Is Sufism, p84.) 

This is the Djed Pillar of Osiris as the human spine and the dance of kundalini in the Subtle Body. The Egyptian Book of the Dead identifies this pillar as both the spine of Osiris and the axis of the universe. It represents stability. 

The temple priests would perform annual rituals in which they metaphorically ‘raised the Djed Pillar’ to restore stability to the land and its people. The falling and rising of this column symbolizes the falling out of and back into balance.

The Great Rift in the Milky Way, a series of dark obscuring dust clouds which stretches on through the constellation Sagittarius, was seen by cultures worldwide as the place death and rebirth, and a gateway to the higher, spiritual realms. The constellation, Cygnus, also known as the Northern Cross, marks one side of this Great Rift.

Cygnus has symbolically represented the very moment that we earn our wings and fly into the sun—through ‘the soul hole’ or pathway of souls (as described by Andrew Collins).  In Egypt,  Cygnus is represented by the vulture (both Nekhbet and Mut).  Vultures are known to eat the ‘flesh’ of dead bodies.  In fact, once the dead flesh is ingested, incredibly powerful acids in the vultures’ gut begin digesting it so completely that they even destroy the DNA.  I can’t think of a better description for transforming matter into formless energy.  Other symbols for Cygnus include eagles, hawks and swans- all often associated with higher states of consciousness.

Photo by author

Many, including Andrew Collins, believe that Göbekli Tepe and its neighboring contemporary sites were referencing Cygnus and this Great Rift symbolically.  However, if we accept the given timelines for the construction of this site, there would have been no distinct Pole Star.  Were they alluding to a time when, Deneb, the brightest star in the constellation of Cygnus, may have held this honor from around 16,500-14,000 BC.?

I find it fascinating that the vulture on the above Pillar 56 from Circle H at Göbekli Tepe is the only animal or bird that is facing right.  All others are facing left. Does this mark a possible magnetic reversal happening at this time?  Or is it noting a huge shift in consciousness? Or both?

Blogger, August Hunt points out that astronomers speak of a giant supernova explosion that occurred in the heavens within the constellation of Cygnus…which should have been visible around 8000 years ago.  He postulates that this game changing event may have sparked a ‘religious revolution’:

“We know that some of the earliest grain seeds come from this area, and it was grain that made possible settled existence in the Fertile Crescent.  Could it be that somehow, the great supernova in Cygnus ignited the agricultural revolution that propelled Mankind towards a higher level of development?”

This is more than possible. There are no accidents.

In my opinion, the very movement of the celestial stars around  this place in the heavens, whether it is marked by a star, such as Deneb, Vega, Thuban or Polaris, or no star at all, is mapping out a journey of consciousness.  This journey is played out through a dance of celestial icons that map out our transforming perceptions of reality.   Just as we experience four seasons in our annual year, we also experience four seasons in the Great Year.  This is also illustrated in the Vedic texts and the Vedic Cycles.   When the earth is pointed toward a particular place within the spin, we are able to escape the illusion of form, and leave this ‘earthbound existence’ that is symbolically represented by the ‘containment’ within the labyrinth marked out by the movements of a celestial serpent or snake—known in ancient Egypt as Apep.

(I might add here that they are illustrating patterns of nature within their symbolism and structure to offer us the opportunity to ‘escape the illusion of form’ and wake up at any moment in time—if we can unravel this puzzle and slay the Minotaur (seed of Taurus) at the center of the ‘containment’ in this labyrinth.)

Every time me move into a ‘new age’ we suffer through catastrophic events on the planet. This is illustrated through the symbolic killing of Apep. One must destroy the old patterns before the new can be initiated. There are four major game changing moments within the Great Year. They are represented by the symbols of the lion of Leo, the bull of Taurus, the eagle or hawk of Scorpio and the human who empties the ‘containers’ of form as Aquarius.  They are also symbolically represented by the Christian Gospels of Matthew, Mark, Luke and John—or the 4 horsemen of the Apocalypse.

12,500 years ago we suffered through huge catastrophic events during the Age of Leo.
Göbekli Tepe is carbon dated c. 8800-9600 BC, which would place its construction somewhere between the astrological ages of Leo and Cancer. It has been suggested that the open ‘mouth’ of Circle D represents this time period between these ages (10,500 BC – 8000 BC) at a time when Vega was just losing its position as the pole star.

The ancient Egyptians marked this time as the Age of Aten, our highest stage of consciousness, according to indigenous knowledge holder, Abd’el Hakim Awyan. This would have been a time when they knew that our perception of reality would begin its decline into separation consciousness and we would lose our deep connection to the patterns of nature that surround us.

Many refer to the pillars numbered 31 and 18 in the center of Cricle D as the Twins of Gemini. The Age of Gemini falls between 6450 BC and. 4300 BC.  Interestingly, a symbol displayed on one of these pillars is the symbol for Gemini (when displayed on its side).

This can be understood as a ladder from Earth to Heaven–or that which separates Heaven and Earth as the atmosphere of Air and Water. In sacred geometry it is the double square. Does this represent a ladder we can move up and down? The symbol underneath it can be referring to an eclipse of the sun and moon, possibly representing a moment of silence between day and night cycles.

It is during the Age of Taurus that we ‘fall completely into form’ symbolized by the Nephilim, ‘fallen angels’ or ‘angles of light’—and the once immortal demi gods (such as the followers of Horus) who either fall into a perception that they are their bodies –in physical form to walk the earth, or mate with humans to create earthbound offspring.

Photo by author

It is my opinion that the ancients who scribed the symbolism at Göbekli Tepe were astrologers who were mapping out both current and future cycles. I have only offered a tiny glimpse into all the possible messages they might have hidden within their symbolism. And other circles have been discovered in neighboring areas.  If they did bury the sites—I believe it was to protect them from what they knew would destroy them.  Did they also know that we would find them one day?

When we visited the village of Harran, south of Göbekli Tepe, we saw the Tower that was once used to trace the movement of the sun, moon and stars for astronomical and astrological purposes—at an ancient university.   This is a recurring theme throughout the ancient world.  We look to the stars to see our Horoscopes –or ‘scope of Horus’.

Eagle topped column at the Karakuş Tumulus in Turkey. Photo by author

Many of us have forgotten what the ancients knew; that there is a perfect time for everything (to have surgery done, to plant a seed, to travel, to meditate, to ascend to the stars, etc).  When we flow with the patterns of nature we create magic—and when we oppose them, we can create our own misery. The primordial waters of the heavens is our mirror for our state of health on earth. What time is it?  Where is Horus? The ancient Cippus of Horus depictions show Horus  standing on crocodiles (representing digestion), and holding serpents, scorpions, and other dangerous ‘beasts’ in his two hands. He is not killing the beasts—he is transmuting them.  He digests his fear and anger, and transmutes his inner polarity to rise above his baser materialistic nature…to earn his wings.  At the temple of Hathor at Dendera in Egypt, you find images of Horus sitting atop a lotus pillar. The pillar is erect, and the Hawk is wearing the double crown, symbolizing unification. Is it the unification between Upper and Lower Egypt, or a metaphor for the unification of the two hemispheres of the brain, or of the uniting of heaven and earth? If we view this as a depiction of the movements in the heavens during the precessional ‘Great Year’, he is sitting in the Age of Cancer. Did the ancients have knowledge of secrets that would enable them to traverse time and space in order to ascend to higher states of awareness within one Yogic Breath?  There are cross cultural legends of ancient cultures that did.

We all chose to be here now—on purpose.  We have enrolled in the university of the navigation of the currents of life itself.  If we can decipher the codes left by the ancients we might be able to cut the cord of our current cycle of chaos to begin a new breath of harmony and peace.

The Hero’s Journey Begins with the Scarlet Letter

by Patricia Awyan Lehman

Did author Nathaniel Hawthorn realize the underlying ‘hidden’ esoteric significance of his remarkable novel? Of course, he did, and you may want to read it again. In his fictional account, Hester Prynn is humiliated by her community when she is punished for having an affair with a married man. She is forced to wear a large Scarlet ‘A’ on her chest as a mark of her infidelity. She is ridiculed as an Adulteress.

Adulteress, Harlot, and Whore are words we use to denigrate women, and yet we hardly understand what we are referring to.

“Adultery derives from ad + altero, i.e. moving from one state to another, so changing a lot, so corrupting.”  ( www.reddit.com)

Harlot: “Middle English (denoting a vagabond or beggar, later a lecherous man or woman) from Old French harlot, Herlot ‘young man, knave, vagabond’.”  (https://en.oxforddictionaries.com)

And my favorite disparagement, the use of the word: WHORE.     Well we all know what this means, right?  

Not so fast.  Maybe our words: Harlet and Whore stem from a far more ancient understanding that was referenced in ancient Khemit (Egypt) by the Neteru, HAT-HOR  (Het-HOR) and HORus (Greek version of the Egyptian HERU/HRW) ?

Hathor is known today as the ‘goddess of love, dance and childbirth’. The ancients expressed these forces of nature as the creative feminine principle of the primordial WOMB that gives birth to Form, as Physical Matter.

The face of Hathor, as the seed of form, is born from the rays of the newborn Sun out of the womb of Nut, the cosmic cow or milky way, which forms the HT or Hat that contains the HR or Hor. The indented or formless seed of consciousness, as the scarab beetle, emerges from the leg of Nut through the stars to be contained within the darkness and boundaries of a new identification of the soul/Sol with its expression in physical form. Hathor’s face sits on the dual pillars of Boaz and Jachim representing our fall into polarity or separation consciousness. The ‘seed of form’ is birthed from angles or rays of light falling from the womb as waveform (fallen angels). Image from the first Hypostyle Hall at Dendera.

Spirit as the life force is released from the Lotus Flower (symbol of the harvested energy from the last cycle or journey or ‘spin’ of the seed) into the newly birthed physical form.

The name or label for Hathor is the square, depicting the place (Hat/Het) or womb that contains the HOR (HR), the Falcon, symbolizing the Alpha or Seed of consciousness. The HOR is our soul or SOL/sun/self, that is expressed here (during one stage of its journey through stages of evolving and devolving consciousness ) as the Falcon/Hawk or Eagle. The Womb, as the Hair of Hathor, is the Netert, Nut, the Cosmic Cow, or Milky Way and is also reflected as the Omega Symbol.  Nut gives birth to the Seed, the Alpha, the ‘A’, as the Face of Hathor.

The Heart of consciousness can express itself as the HOR, the Power of God, and/or as Source itself when it vibrates.  The result of this vibration is our first primal TONE as ‘A”, the Alpha or ‘seed of consciousness’.  When sparked into life through its germination…the seed or atom splits open with a crack of thunder, SOUND, and lightening, LIGHT, and the first breath emerges or sprouts as the SAH, the SINE or SUN WAVE. A tremendous amount of energy is released in the form of light and heat.The rays of light that mark this SAH/SUN or Sine Wave path around the sphere of our earth, are contained between the Tropics of Capricorn and Cancer….as fallen angles generating a waveform dividing our day (light) and night (dark) cycles.

This serpent has a life of its own and germinates electromagnetically into a 7 fold expression of this breath of life as the 7 rays of the sun or ChakRAs within….mirrored as the 7 major planets, 7 seas, and 7 major land masses, 7 days in a week, seven sacred vowels. 7 colors in the visible light spectrum–and our 7 steps to heaven.

This is the great Cosmic Serpent that is utilized symbolically worldwide to mark Time and Space….as a perception of movement, and pulse of multi-hued vibration.  Hue-man emerges as separated aspects of the one consciousness.

“He (The Fool) is the spirit in search of experience…it’s subsidiary name was at one time the alchemist as depicting folly at the most insensate (unconscious) stage”. ~ Arthur Edward Waite, Co-Author, Rider-Waite Tarot Deck

This is the Hero’s Journey played out in cross cultural mythologies which can be likened to the path of the sun on the ecliptic.  In Egypt, it is the path that begins with Osiris , Ausser–or Wizzer (Wsjr), as he falls into ‘form’ in the Age of Taurus, which is played out on the ceiling of the great Hypostyle Hall at Dendera and on the spiraling Dendera Zodiac on the second floor. Osiris embarks on the journey into the depths of the night cycle and becomes bound (wrapped in his own wings or ‘mummified’) by a perception of being his physical form.

Osiris is the original Green Man–he is the land and the earth in his representation of mankind migrating through cycles of consciousness. He is the seed, self, sun and universe, enabling consciousness to express itself as a manifestation in the physical, earthly realm.  As such, he is associated with all phases of agricultural processes and to the symbolism of the tree of life. He is expressed as green in many depictions to represent these associations and their relationship to the fertility of the earth, his dual feminine aspect.   It is through the portal of our solar plexus, the Lion’s Gate, and our true heart center, that we traverse the dimensions from spirit to matter, from unity consciousness to individuated consciousness and back again.  

The seed is our Consciousness, and it requires sustenance through certain elements in order for it to grow. This is the Alchemical Journey. Parents combine their seeds in the womb of the mother, where the alchemical process begins when this seed is nurtured and transformed. Breaking free from the protective womb is a painful struggle.  As the new being emerges, it enters a new cycle in its weakest, most innocent form (The Fool in the Tarot deck). If that being emerges from its shell and embraces the light and nourishment from the elements of the earth, it can transform and grow into a great tree bearing fruit to feed another generation.

Hester Prynne is the Heroine who escapes the containment of the SINe wave.  Her affair with ArtHOR (Arthur) Dimmesdale, the Reverend, does not conform to the Rules (boundaries) of the System.  She travels outside the lines …and in so doing, gives birth to Pearl, ‘a treasure’.

The alchemical journey of man begins with the first breath….Sah (the Sine Wave of LIGHT). It spirals and bends to form the matrix of the mind.  The patterns created become our reference for marking time and space. Each movement is a vibration, creating a song of tones, colors and archetypal forces of nature (the Neteru).

Seshat is marking time and space.

Written and Oral Language develops as a form of communication between separated aspects of self as reflected by the story of the Tower of Babel.  Each letter reflects a frequency, or angle of light from from the breath of source itself.  Yes—this is the language of light.
The ancients left us a brilliant map of the nature of this reality as this eternal breath of life that was expressed by this language of light. This is what Abd’el Hakim Awyan termed the Suf Language, or Egyptian Hieroglyphics, which reflect the frequencies of the Neteru, each a vibrating aspect, archetype, or tone of the one purified source.

These angles (angels) of light and tone create the electromagnetic patterns that give shape to form.  This is expressed by the Neter, Seshat.  She is the ARCHitect of the sacred geometric ‘flow-ering’ patterns that combine to create our perception of form. 

Another feminine Neter of creation and weaving, Neith, was said to reweave the world on her loom daily. She is crowned by a symbol of the torus field.

“Her (Neith) name also may be interpreted as meaning water.  In time, this meaning led to her being considered as the personification of the primordial waters of creation. She is identified as a great mother goddess in this role as a creator.”
Plutarch (46 – 120 A.D.) 

 

In essence, it is Neith that represents the undulating, breathing, bending ‘serpent powered’ watery waveform that forms the Fabric of our reality…our illusion of the physical world (whorl-ed) known to the Hindus as Maya, the same expression used for water in Egypt today.

The tool that opens the path for this Current was known in ancient Egypt as the MER. 

The glyph for MER also meant ‘love’ and ‘beloved’ and became the root of the titles MERi, MERRI  or MARY.  This brings to mind another infamous Scarlet Woman; Mary Magdeline.  The ‘MAG de Line’ is secretly known by many today as a powerful pulsing geomagnetic current…. a FE-line or line of Fertility.  

Merry, Mary, Mari are all names that stem from the Egyptian Hieroglyph for the word ‘Mer’ which was used a tool for digging irrigation ditches as its symbol and yet was interpreted as ‘beloved’. This tool symbolically represents a ‘path opener’ for the flow…for the healing and nurturing the Seeds. Yes, agricultural processes were of supreme significance to the ancients for many reasons- and yet they also reflect how we cycle through ages and stages of birth, sustainability, growth, bearing fruit and renewal, as living bio-organic beings.

MER is also related to electromagnetism–as the vital life force of the universe, our planet and ourselves. Our word: ‘MERidian’ stems from this root, and can also refer to the geo-magnetic ley, dragon or song lines that form the electromagnetic flow of fertile energy that nurtures our planet.

The ‘Mary’ of any given tribe would have been considered the wisdom keeper and elder. Mother Mary opens a path for the New Sun/Son to be born as the HOR.The Prime MERidian once ran in North/South directions, through Giza where the ‘pyramidions’ were built to harness the magnetic spins at the crossing point of two major ley lines. The Prime Meridian passed through the ZERO Point –the place at the center of the earth’s land mass where time and space emerged metaphorically, as the sine wave pattern, or serpent created by the path of the sun.

Image by JIM ALISON

Tefnut, as  the visible and very FEline Sphinx looks to the east for the sun to rise on what was once the ancient Magnetic Equator.  Her gaze is marking the time of earth’s precession through the ages. This was the earth’s most powerful line of Fertility where structures were erected worldwide (Paracas, Easter Island, Ankhor Wat, Petra, Moenjo Daro, the Giza Pyramids, Tanis, Siwa and Ollantaytambo) to harness the electromagnetic spins in order to create powerful force fields.

The Aker illustrates the beginning of time and therefore, space, as these twin lions as Duaj and Sefer, (dual opposing charges/waveforms) one facing yesterday and one peering out toward tomorrow, as our HORizons of dawn and dusk. The end of time occurs when and where these FE-lines meet….on the ‘other side’. When waves traveling in opposite directions meet each other they form a new wave that looks like it is standing in place.This was the place, the ZERO POINT, where the four cardinal directions, four seasons, four sons of Horus, vibrated out, spiraling into a Sphere to form our perception of OM,  home, our land, the Earth.  However, this was before the Fall of our axis, altering the electromagnetic flow of the geomagnetic grid system.

As illustrated in the image above, the HOR (depicted by the hawk) is always perceived to be on the move!

And all of the above is mirrored below in the bio-organic processes and electromagnetic meridians within the human body, (to be addressed in a future article).

The Prime Meridian marker is moved from Giza to Paris (Per Isis) and then to Greenwich in the UK, as we migrated through the ages of time and our perception of space.   Is this the celebrated path of the Magdeline that was so recently alluded to in Dan Brown’s famous book and movie, the Da Vinci Code?

Ah yes!  There is much more to this story than has been told!  (Stay tuned for my article on the path of MERitaten, the daughter of Akhenaten.)

Anubis is the sprouting of the ‘seed’ from HER womb that creates the ‘matrix’ of this reality. He forms the ‘pattern’ ( patter being the root word for father) that creates the illusion of matter (root word for mother). He emerges from the pregnant belly of Tauret, riding the ‘Mer’…which creates the spiraling electromagnetic ‘meridian’ that forms our Torus (Tauret) field. He is our ’embalmer’, wrapping us in the veil (of forgetfulness) of Isis.

On the Dendera Zodiac, the beloved MER emerges from the center of the mouth of the womb (as Tauret, the pregnant Hippo Netert, associated with both Big Dipper and Draco, and known as the Eye of Ra) of the Circumpolar Stars (the never setting stars that spin around our pole star). The MER is the Alpha being ridden by the very ancient Egyptian Neter,  Anubis (Inpu), known as the Path Opener.  This occurs in the Age of Cancer, when Gods & Angels fall through the Silver Gate (Capricorn to Cancer) to become men—HUE-Men.

As the magnetic field spins and spirals as the waveform of forgetfulness, it creates the individuated archetypes, the angles/angels of light as Neteru (forces of Nature) reflected as tones that become our ALPHAbet, the building blocks of our written and oral language.

Known as the embalmer in the mummification process, Anubis, is the Alpha Dog,  wrapping us up in these electromagnetic fields of energy—our torus fields?  Is the mapping of the reflection in the stars on the Dendera Zodiac the guide Anubis leaves behind to show us the way back home? 

Of course, it is!   It is why we find ancient structures, stone circles, temples and other observation points worldwide that have been tracking the movement of the sun, moon, eclipses and stars for thousands of years.

Anubis uses an adze or tool shaped like the Big or Little Dipper, in ‘the opening of the mouth ceremony’ to release the soul or spirit of the deceased from its physical form to freedom, in heaven….the stars.

What ancient knowing have we forgotten?  Isn’t it time we figured this out? 

Hester Prynn could have been proud to wear the ALPHA, the symbol of the seed’s emergence, on her chest– as a mother who gives birth to form as the currency, the GOLD or waveform that creates and pervades our perception of this reality. This is the Force of creation, nurturing and healing in our world. It flowers to fractal patterns that form the Torus fields that contain the conscious reflected perception of itself.  …and they breathe and vibrate.  They contain all the unlimited potentials within the sea of primordial waters of fertility.

The HOR, or Whore as some would have it—is the path of the SUN that maps out the Hero’s Journey, our journey through ages and stages of conscious perception as human beings on earth.  The map is our mirror that we view as the eternal movement of the stars in our Heavens.

Where is the Hor? Where is Horus?  What Hour is it?   Where are you on this Path of Perception?

Nathaniel Hawthorn could have told you. 

When we hide the Holy Grail, our heart (our feminine knowing and intuition) firmly behind a veil, we allow our minds, the collective matrix, to keep our truths hidden. The denigration of the feminine heart in this devolving Patriarchal paradigm holds us hostage through agendas that stimulate fear and anger.  Hearts and minds are as separated as the two hemispheres of our brain.

Suppression of women, of the feminine heart within ALL of us has only served to create Chaos within our fields of perception.

Hester Prynne is a survivor!   She can be seen as Hawthorne’s literary idea of what happens when women break the rules of society and gain personal power. The restrictions that have been placed on our hearts hold us hostage in patriarchal patterns that manipulate us through our fears and anger.

“No man for any considerable period can wear one face to himself and another to the multitude, without finally getting bewildered as to which may be the true.”            Chapter XX, ‘The Minister in a Maze’   Nathaniel Hawthorn

Hester Prynn is ridiculed for her ability to love outside the box…. the confinement of rules and boundaries. Maybe its time to open our chests and reveal our pulsing hearts as the real treasure within…to reclaim a power as the Lion’s heart of gold, the true Grail—the generative force of love that awakens the soul to its own knowing.

It is the young and innocent Art-HOR (Arthur) who pulls the SPEAR-it or Sword out of the Stone container of form.  And it is the Egyptian Neter, HORus, also our Hero,  who opens his heart and transmutes his polarity to transcend the physical as the ascended Osiris to fly into the rising Sun as the Falcon.

“She had not known the weight, until she felt the freedom.”  Nathaniel Hawthorn

The seed of our consciousness has come full circle…. or half circle as it were, with the tilt of the earth moving from our height of conscious awareness, when earth’s axis pointed to Vega in the Age of Leo, and then to Thuban in the Age of Taurus (when gods became men) and now to its Nadir at Polaris (the star positioned at the end of the Little Dipper).  It is the dawning of the Age of Aquarius! 

“The ancients refer to the coupled-ages of Pisces and Aquarius in the great year as the time for the FisherMan or Merman to return from the sea. The old legends say that he will teach the people how to heal and govern themselves.”   Mysteries of the Ages Revealed by Andrew Tomasi Raymond

The heart (spirit) is about to be released from its container.  Free at last. 

Free at last!

Fasten your seat belts….